Design Basics For the Online Notary
The internet has changed the way that many of us do business. Now more than ever, people are able to make themselves accessible through the world wide web. But it’s not just about making a page and putting yourself out there. In this increasingly technological environment, a website will be the first impression of you and your services. Some of the most important factors that one must establish on a page, therefore, is credibility, professionalism and competence.
Error-free text will go a long way. But it’s really not as simple as putting up contact information and some references. The web opens the doors to opportunity and a page with nothing on it but contact information is not really going to cut it anymore than a vague resume with a generic cover letter put together using an MS Office template.
The Page Content
The key is to be creative and descriptive and to demonstrate your dedication and professionalism. After all, you are not just going out to meet borrowers representing yourself: you’re going to be representing your client as well. It is the quality of your content—no matter how concise you choose to be—that speaks volumes about you.
Don’t get me wrong: you don’t need volumes. Being too verbose on your index page can turn people away. Think about it this way: someone needs a notary signing agent in this area, they find you through a search and land on your page. What do they want to know?
- Contact information
- Printing capabilities
- Languages spoken
- Documents with which you are familiar
- How long you have been signing
- Fee structure
If you want to elaborate, you can add a link to more information directly from that descriptive menu. You can find an example of this in the Notary Section of the Vital Signing, Inc.® website. Within the Notary Section, you can select to be redirected to whatever category you want within that page. If you select The Notary Portal, for instance, you will be directed to the sign-up process overview which gives a brief summary of how to join our database. Within this overview a notary can easily find hyperlinked items that direct him or her to other pages that elaborate on each topic.
We live in a fast-paced marketplace: the more you do for your reader to make the experience fast and easy, the more they will like you—even if all you are doing is saving them a few seconds scrolling! Taking the time to arrange your information well will give potential clients a sense of how meticulous and efficient you are.
These are qualities that really matter in your field. A person who won’t take the time to spell-check their content just doesn’t come across as someone who will take the time to ensure that documents are signed correctly. It’s an unfair assessment considering many of you who may be bad spellers are excellent at executing a signing, but it’s not an unlikely conclusion to draw. Always remember that the online world has an attention span of 2.5 seconds: we don’t just judge books by their covers, we tear them apart. A yellow background is enough to get me to exit a window—even before it has finished loading!
The Font Question
This brings me to my next point—presentation. Yes, it’s important to get the reader’s attention, but big whimsical fonts in all-caps are not the answer. They can render the content illegible—not to mention make you look like you’re 12. Take Comic Sans. I cannot tell you how many pages I have seen that use this font. Designed by Vincent Connare when he was with Microsoft, the font was never designed to be a typeface—and with good reason:
“There was no intention to include the font in other applications other than those designed for children when I designed Comic Sans. The inspiration came at the shock of seeing Times New Roman used in an inappropriate way.” That inappropriate way was the beta version of Microsoft Bob. Since then, Comic Sans’s biggest gig has been on the children’s book series The Magic Schoolbus. Tell me, what do we get across from a site typeset in a children’s font?
Font may not be a big issue to you—as long as the message is conveyed in the text, why not, right? The problem with this mentality is that the message is not always conveyed well because a reader must have the font that you are using available on his or her computer in order to read it. Not to mention some fonts are physically painful to read online over extended periods of time.
Arial at a small size is one such font. The interesting thing is that many people do not see a difference between Arial and Verdana. But there is a difference: Verdana was specifically designed by Microsoft’s Matthew Cartner to tackle the problem of sizing on the screen. Arial, you see, is not made to go too small because it doesn’t have sufficient wide-letter spacing or punch-width. Verdana, on the other hand, does. This font can get very, very small without suffering distortion.
Verdana, like Arial and Trebuchet MS, also does away with redundant font features that tend to clutter the screens of readers. An example of a redundant feature is the serif—the little extra lines and decorations we see in fonts like Garamond, Georgia and Times New Roman. These fonts are great for print media because the serifs guide the eyes. But they do not work so well on-screen.
Just remember one thing: no matter what you do, never go above three different fonts on a page. Two is generally more than enough for main text and headers. Picture captions and site rights can be a different size of the same font. And remember to keep consistent. There is nothing that shouts amateur more than a page or publication in erratically mixed font.
The Color Palette
Imagine you have taken all this into account. You know what you are going to say and you know what font you are going to use. You’re half-way there. You still have to make some color choices. This is the tricky part. You don’t have to go all out and spend hours toying with Color Combo like I have been known to do. The key is to understand that font needs to be legible. If you feel you need color on the page, you can get it by adding pictures to your site. You really do not need that bright yellow and red font.
If it’s been too long since you sat down in art class and went over the color wheel, you might find 9rules network’s preconfigured color schemes useful. It doesn’t hurt to surf around, either. Sites like Martopia (blue and orange for contrast over varying shades of gray and white), Apple (slick grays and blues on white), and The American Design Awards (gray hues and cadmium yellow over a slightly textured background for depth) are great examples of good palette combinations.
The Images
While they are not necessary, an image can bring color and flavor to a site in a way that font and colors cannot. When picking a graphic to use make sure that it is somehow relevant to your page: a picture of a natural feature that characterizes your state, perhaps a picture of you, a picture of pen, people looking over documents, people shaking hands, or an embosser are just a few examples.
Just remember a few simple things: your images should be--
- relevant
- worksafe
- not too big
- not too distracting
- yours, or that you have the rights or appropriate permissions to use them.
Remember to do everything in moderation, as too many images may make the page take too long to load.
For the most part, making a simple webpage of this nature is an easy process. All it takes is a little time and thought. And maybe a few visits to Lyco’s Web Monkey.
Curious about your web design IQ? Take Encarta’s From Arial to Wingdings quiz!
